I seek, from an experienced and seasoned perspective, to wisely corrupt the Gay Youth of today with Love!
Monday, 29 June 2020
The Story of an Oppressed Gay Child Who Abolished Their Feminine for Over 40 Years
Sunday, 3 November 2019
Full Spectrum Faerie Sex Magick
The Faeries are a fairly diverse bunch of queers.
However, in the early days, 40 years or so ago, at the very first gatherings of Faeries, the vast majority of attendees were gay men who were drawn to the idea of meeting together as faggots in nature to celebrate their sissy selves and explore their spiritual consciousness, asking the questions: 'Who are we, where are going, and what are we for?'
From the exploration of these questions, (and from a growing awareness that, although a lot of gay men seemed to be having a lot of sex, they were often craving an intimacy with each other which seemed forever-out-of-reach), there emerged an intensive workshop aimed at helping those who felt the call, to delve into the personal and interpersonal reasons for the many obstacles to intimacy encountered by gay men. These healing workshops, facilitated by volunteer Faeries, for the benefit of Faeries, have been running for the past 30 years and are known as Faerie Sex Magick (FSM) Workshops.
These days Faerie-space is now a much more diverse and inclusive network where those from across the full range of the LGBTQIA+ spectrum are invited to enrich the exploration in community of the questions: 'How does it feel when a) I dare to stand in the full power of my sexual orientation b) the expression of my gender identity is not only unrestrained but is completely appreciated and celebrated?'
Until now the FSM workshops have been confined to fagot identified men. The logic for this being that there is a real kind of hurt experienced by faggots growing up in a homophobic social environment, and that faggots are best able to develop an understanding of this. Fags are uniquely able to sooth and heal each other's wounds around blocks to intimacy related to this kind of trauma.
However in recent years trans* men have been invited to attend the workshop and during this time there has also been a growing momentum of enthusiasm to have FSM workshop participants reflecting the full diversity of identities and sexualities present at modern Faerie Gatherings.
So very soon there will be the pilot of a workshop which will be open to the full spectrum of queer sexualities and genders. What will happen when a fully inclusive group sits in heart circle to explore the obstacles to emotional and physical intimacy that exist between them?
The intention of the heart circling within the traditional workshop is to reach a state of community trust to the extent that co-created rituals, involving permitted group erotic touch, are able to be devised and consensually enacted.
How might this look between individuals not accustomed to considering erotic touch with genders and sexualities beyond their habitual erotic arousal patterns?
Nobody knows but it’s the beginning of a radical adventure into a better understanding of how faerie queers, with a range of sexuality and gender expression, might more freely express the erotic together in community…
Watch this space!
Saturday, 31 December 2016
If You Like To Take It Up The A*se- Does That Make You A Sissy?
Thursday, 14 April 2016
Teddy Bear Goes to Church...
Monday, 3 November 2014
The Dance of the Cis-ish Faerie
So, here’s the thing! Biologically I’m a bloke. Psychologically I can identify as a man. So that would make me a Cis-gendered male. However I am also able to identify as a woman. Not so that ‘I feel like a woman trapped in a man’s body’ but enough that I enjoy inhabiting feminine attire and relating/ being related to, at least partially, as female. From a gender-world view I don’t fit into the Cis- world and I don’t fit into the Trans- world. Cis- men find my drag puzzling and unnecessary. Trans- women resent my ability to pass as Cis- and do not accept me into their fold either. Maybe just as Bisexuals will often complain that from a sexuality point of view they are at home in neither the gay nor the straight world, I, from a gender point of view am at home in neither the Cis- nor the Trans- world. Maybe there could be a word for it-Bigendered? Or Cis-ish?
Blue ripped denimette lycra tights
Peers over half-moon leopard print framed specks
A brightly coloured plastic butterfly quivering on the brim of the
Dark brown floppy top-hat textured with light faun bobbles.
Just the sturdy shoulders of a masculine frame.
A definite bulge in the crotch of those skin-tight blue jeans
And substantial manly thighs there too
Who is this grotesque come to ruin the night at the Badlands Castro Bar?
“Wow-those jeans”
The bouncer braces, sensing imminent danger.
The bartender, with eyes conceding discomfort, attempts nonchalance
But knocks over glasses as he delivers the requested soda.
Saying “Look, what the cat dragged in”
“This bar ‘aint for folk like you”
“Why don’t you stick with yo’ own kind”
Beam down from the plasma walls of this coliseum
And the straight-acting boys
(Pissed, stoned and almost wasted
Usually reluctant to have their sissy invoked)
Are anesthetized enough now to access at least a caricature of their pansy nature.
The Dance effervesces rare breaths of oxygen into a testosterone driven femininity suffocating world.
Even the trans-lads take a few panting gasps as they wiggle their hips and lip-synch to Kylie.
Dances with the space between the backs of disgusted dancers
Dances with the Mascinine-Femculine divine within
Dances as a laugh in the face of the disapproving
Dances a prayer that the “Loved Feminine” become manifest in all ourselves
That the “Hated, Despised, Repressed Feminine” be seen, acknowledged, understood
And gently embraced with love!
Dances it all to Eternity!
Dances it all to The Cosmos!
Saturday, 25 April 2009
23 Reflections on Men in Tutus
I went to the ballet a few weeks ago. I’m not a big fan of the ballet and I’ve only ever previously seen one ballet-Giselle at Sadlers Wells theatre when I was a young and impressionable 21 year-old on his first gay date with an older and more sophisticated guy. It didn’t appeal to me at the time and the whole stuffy upper class atmosphere didn’t do it for me. However the ballet on this occaision was a whole different kettle of fish!
Les Ballets Trocadero de Monte Carlo is a troupe of some 20 guys in tutus putting on a show which was in equal parts accomplished artistry and comical spoofery. Just to imagine a hairy bloke in a tutu is comical! And this performance fitted with a tradition of men dressing as women in the theatre- early actors, pantomime dames, drag queens and so on. But the very high calibre of the dancing athleticism took this genre to a whole new level.
It got me thinking about how gay men are generally constrained by societal gender norms to behave, think and feel in predefined ways which they generally, at one level or another, ultimately disregard but for which they pay the price of invalidation. The world of ballet similarly expects male dancers to move and perform as stereotypical males and female dancers to move and perform as stereotypical females. This dance troupe showed what was possible when feminine acting men [note- I’m not using the word effeminate] push themselves into female dancing roles. The effect for me was a celebration of what has been referred to as the Third Gender-neither male nor female but an equally exciting and authentic gender capable of excellence in performing either performance role no less validly.
Sadly the spoofery had to be part of the performance because, I suppose, as a society we aren’t ready to accept men dressing and performing as women unless it is done as a joke. Sadly, still, there are only two boxes to tick on the form asking about gender. Growing up as gay men there are generally only two types of gender role stereotypes for us to identify with –Straight Acting Bloke or Camp Queen.
However there were moments during that ballet performance, mixed in with all the campery, buffoonery and drag-queenery, when there emerged a powerful, capable, creative, disciplined, athletic, professional presence; mesmerising and enchanting!
Now wouldn’t that be a worthwhile stereotype for us to get to see more of around the place?
Let’s see more of Men in Tutus! Let’s stop the impulse to smirk, and instead, let us appreciate creative beauty in all its forms wherever and however it manifests itself!
Saturday, 4 April 2009
Butch? Bitch? Whatever! Be Who You Are!!
This is my second article for GSCENE and will appear in the JUNE issue.....
Remember back to when you first realised you weren’t like the other kids. Maybe as a boy you identified with the girls [I loved to skip and knit!]. Maybe as a girl you identified more with boys?
Research tells us that if boys are seen as ‘sissies’ by their peers age 8, the vast majority will be gay men 15 years later and a few will identify as Trans. Girls seen as ‘tomboys’ will predominantly identify as straight women, fewer will be lesbian and very much fewer will be Trans Men.
As an LGBT tribe who are, as children, ‘adopted away’ at birth into straight homes we get pretty messed up about our identities as we develop and as our true natures become apparent to us and those around us.
But for most of us we also have the great gift, from a very early stage in life, to be confronted by the BIG question “Do I become who I truly am or do I become what others would prefer me to be?”
It is a gift because the younger you are and the starker the choice between the two options, then the more likely it is that you will choose to take the route to becoming who you truly are. And then this is the first step on the route to allowing your soul to lead your ego.
Whether we are prepared to accept our ‘queerness’ or prefer to disguise it we’ve got ‘a long row to hoe’ because our society with its strict male/female stereotypes still wants its men to be men and its women to be women [except of course for entertainment purposes]. So we are battered and bruised either externally, by a hostile society, for being who we are, or internally, for failing to be true to ourselves.
Quentin Crisp was very influential in my struggles as I was growing up and having to make some difficult decisions at the tender age of 14.
He came into my life firstly in the manifestation of the actor John Hurt playing the role of this unashamedly gay man in the film ‘The Naked Civil Servant’. Subsequently his powerful voice for the victory of the soul over the compromising ego shouted out at me from his autobiography of the same name. His life story has been described as ‘the triumph of the solitary uncompromising voice over the faceless multitude’. Sting famously visited him when Quentin had moved over from London to live in New York after facing over 4 decades of attacks for being who he was from a very homophobic british society.
After hearing his stories of victimisation Sting wrote ‘Englishman in New York’ which includes the lines ‘it takes a man to suffer ignorance and smile, be yourself no matter what they say’
So recognise that you’ve come a long way already! Butch, Bitch, Straight Acting Gay Man, Femme Lesbian, Trans,-Whatever!
And recognise that beneath your ego- accumulated like layers of sediment deposited over the years to defend and protect you and help you feel connected-deep within your very being is your true essence which is immediately accessible to you as the feeling of your own presence in this moment. It is the realisation ‘I AM’ which is prior to ‘I AM THIS’ or I AM THAT’
Enjoy it now-and let it be in charge of your life!




